TONYA LOWMAN

My Bio

 

For as long as I remember music has been a part of my life.  I grew up listening to the sounds of big band music, country music, rock and roll, and of course, bluegrass.  My father had a deep appreciation of music even though he played no instrument or sang.  His record collection included artists like Perry Como, Dean Martin, Jerry Lee Lewis, Hank  Thompson, Hank Williams, and Brenda Lee.  Brenda Lee was my heroine.  Daddy would let me borrow that old record, and I would play it for hours.  She taught me how to sing.  The first goose bumps I ever got was listening to Brenda Lee sing when I was about four years old.
Now my mom's side of the family were bluegrass through and through.  They didn't particularly care for dad's Perry Como, or he their bluegrass.  I just kind of hung out in the middle.  Mom's family hailed from the mountains of North Carolina; Newland to be exact.  The music came in through the Pritchard side of the family.  They all picked and sang.  Grandpaw played guitar, Aunt Shelly played banjo, and Granny Julie played fiddle.  They all sang parts.  Uncle John sang lead, and my Grandpaw always sang tenor to Uncle John's lead.  They would do live picking and singing on a radio show in Marion, NC and would play in some establishments.  I have been told a lot of stories by Uncle John about things that went on back in those days.  Sometimes they didn't get to play because of the brawls that would break out.  He said you either laid your instrument down and fought, or picked it up and run.  My Grandpaw and Uncle John were twins.  My Grandpaw was killed in a fatal car accident when I was very small.  Uncle John kind of gave up on playing out after my Grandpaw died.

The love of music came to me from my dad, and the desire to do the music came through my mom's family.  Listening to the music daddy loved helped me to appreciate different styles of music, cause there is great music in all genres of music.  You just have to have an open mind.

 
I am a relatively new songwriter to the music industry.  I have worked mostly with prominent Western North Carolina musician, Clarence Green, whose father by the same name recorded for the Columbia and Victor Labels in the 1920's and 1930's with old-time musician Clarence Ashley.

The recording of "It's Gonna Take A Long Time" took place in the month of December 2004, at Gat 3 Studio in Charlotte, NC.  The process went by quickly and smoothly.  Music tracking was done in one day, and the vocals were recorded in one day.  The musicians were so easy to work with that it didn't seem like we were working.  It was more like a jam session with everyone having fun.

 
This project was originally done as a demo to pitch my songs to other artists.  While searching for a way to pitch these songs, I sent a copy with no graphics to BUG Music in Nashville, who serves as an administrator for self publishers.  I was then contacted by John Allen, the creative manager, who suggested I commercially release the project myself.  Becky Buller of Goodnight Sparky Music, B.M.I. agreed to publish this project.  It was released February 1, 2006.  

 

 

 

Web site created by Diane Dezio October 16, 2006